UILYAM GIBSON VA NIL STIVENSON ROMANLARIDA KIBORG OBRAZLARINING POETIK TALQINIDAGI O‘XSHASH JIHATLARI

Ushbu maqolada Uilyam Gibson va Nil Stivenson romanlarida kiborg obrazlarining poetik talqinidagi mushtarak jihatlar tadqiq etiladi. Tadqiqot materiali sifatida Gibsonning “Neyromant”, “Idoru” hamda Stivensonning “Qor ko‘chkisi” romanlari tanlandi. Maqolaning asosiy maqsadi har ikki muallif ijodida kiborg obrazining inson va texnologiya o‘rtasidagi chegaralar zaiflashishini, tana va ongning texnologik muhit bilan tutashuvini, virtual makonning shaxsiyat shakllanishidagi o‘rnini hamda postgumanizm davrga xos axloqiy-falsafiy muammolarni qanday badiiy ifodalashini aniqlashdan iborat. Tadqiqotda qiyosiy-tipologik, poetik, narratologik va mifopoetik tahlil usullaridan foydalanildi. Natijalar shuni ko‘rsatadiki, Gibson va Stivenson poetikasida kiborg obrazi oddiy texnologik gibrid emas, balki zamonaviy sivilizatsiyaning ontologik, ijtimoiy va ma’naviy inqirozlarini mujassamlashtiruvchi asosiy badiiy timsoldir. Har ikki muallifda kiborg obrazi tana, ong, muhit va axborot tizimlari o‘rtasidagi murakkab munosabatlarni ochib beradi. Shu bilan birga, u insoniylik, identiklik, erkin iroda, gender va texnologik hukmronlik masalalarini qayta anglashga xizmat qiladi.

This article examines the common features in the poetic interpretation of cyborg images in the novels of William Gibson and Neal Stephenson. The research material includes Gibson’s Neuromancer and Idoru, as well as Stephenson’s Snow Crash. The aim of the article is to identify how both authors represent the dissolution of boundaries between the human and technology, the fusion of body and consciousness with technological environments, the role of virtual space in the formation of identity, and the ethical-philosophical problems of the posthuman era. The study applies comparative-typological, poetic, narratological, and mythopoetic methods. The results show that in the poetics of Gibson and Stephenson the cyborg is not merely a technological hybrid, but a central artistic figure embodying the ontological, social, and spiritual crises of modern civilization. In both authors’ works, cyborg images reveal complex relations between body, mind, environment, and information systems, while also serving as a means of rethinking humanity, identity, free will, gender, and technological power.
Keywords: cyborg image, cyberpunk, post-cyberpunk, poetics, posthumanism, virtual space, identity, technological environment.